Housing T (Current Affairs), 2024 Organza, steel, aluminium, marbles, lice comb, tweezers,
lighter, lipstick, whistle, key, ring pulls, hair pins, coins, pendant.
Installation view, Grand Habitat Horror Vacui, Flat Time House, London, 2024.
Housing T (Current Affairs), 2024 Organza, steel, aluminium, marbles, lice comb, tweezers,
lighter, lipstick, whistle, key, ring pulls, hair pins, coins, pendant.
Installation view, Grand Habitat Horror Vacui, Flat Time House, London, 2024.
Housing T (Current Affairs), 2024 Organza, steel, aluminium, marbles, lice comb, tweezers,
lighter, lipstick, whistle, key, ring pulls, hair pins, coins, pendant.
Installation view, Grand Habitat Horror Vacui, Flat Time House, London, 2024.
Essentials, 2024 Leatherette, plywood, carpet underlay, steel, ring pulls, marbles, money, glitter, keys, whistles, toy cars, personal and found objects.
Installation view, Grand Habitat Horror Vacui, Flat Time House, London, 2024.
Essentials, 2024 Leatherette, plywood, carpet underlay, steel, ring pulls, marbles, money, glitter, keys, whistles, toy cars, personal and found objects.
Installation view, Grand Habitat Horror Vacui, Flat Time House, London, 2024.
Essentials, 2024 Leatherette, plywood, carpet underlay, steel, ring pulls, marbles, money, glitter, keys, whistles, toy cars, personal and found objects.
Installation view, Grand Habitat Horror Vacui, Flat Time House, London, 2024.
Essentials, 2024 Leatherette, plywood, carpet underlay, steel, ring pulls, marbles, money, glitter, keys, whistles, toy cars, personal and found objects.
Installation view, Grand Habitat Horror Vacui, Flat Time House, London, 2024.
Essentials, 2024 Leatherette, plywood, carpet underlay, steel, ring pulls, marbles, money, glitter, keys, whistles, toy cars, personal and found objects.
Installation view, Grand Habitat Horror Vacui, Flat Time House, London, 2024.
The End, 2023 Hand woven cotton yarn Installation view, Grand Habitat Horror Vacui, Flat Time House, London, 2024.
Socle du Monde (Second), 2024, Perspex box, steel, rubber hose, cable, led lights, resistors, smoke generator, glycerine, propylene glycol, batteries. Installation view, Grand Habitat Horror Vacui, Flat Time House, London, 2024.
Socle du Monde (Second), 2024 Perspex box, steel, rubber hose, cable, led lights, resistors, smoke generator,
glycerine, propylene glycol, batteries. Installation view, Grand Habitat Horror Vacui, Flat Time House, London, 2024.
Housing B (Work Life Balance), 2024 Organza, reinforcing bar, steel wires, toy cars, coins, scissors, ring pulls,
whistle, steel marbles, chain, pendants, key, polo aluminium, wrap, vitamin C facial oil blisterfoil, star, found jewellry.
Mistakes Were Made, 2024 Published by Edition Taube, München & Belmacz, London
Mistakes Were Made, 2024 Published by Edition Taube, München & Belmacz, London
Mistakes Were Made, 2024 Published by Edition Taube, München & Belmacz, London
Mistakes Were Made, 2024 Published by Edition Taube, München & Belmacz, London
Housing A (Work Life Balance), 2023 Organza, toy car wrecks, marbles, lighter, ring pulls, tweezers,
nail clipper, found earrings, star brooch, steel whistle, key, 20p, 5p.
Pendulum, 2022, 4K video, 26:10 min, looped Installation view, No Meat Without Bones, Belmacz, London, 2022.
Pendulum, 2022, 4K video, 26:10 min, looped
No Meat Without Bones, installation view, Belmacz, London, 2022.
The End of It, 2022, cigarette prop, ash, aluminium ashtray, smoke generator, mineral oil, silicone, power adapter, motion detector, 14 × 4 × 6 cm. Installation view, No Meat Without Bones, Belmacz, London, 2022.
Echo Chamber, 2022, oxidised aluminium, steel, ø 150 × 30. Installation view, No Meat Without Bones, Belmacz, London, 2022.
You Feed from Us Now, We Will Bill You Later, 2022, jacquard woven cotton, grey MDF tables, each 130 × 200 cm. Installation view, No Meat Without Bones, Belmacz, London, 2022.
You Feed from Us Now, We Will Bill You Later, 2022, jacquard woven cotton, grey MDF tables, each 130 × 200 cm. Installation view, No Meat Without Bones, Belmacz, London, 2022.
No Meat Without Bones, installation view, Belmacz, London, 2022.
No Cars No Power, 2022, 4K video/audio 4:34 min, Ipad, speaker, cables. Installation view, No Meat Without Bones, Belmacz, London, 2022.
No Cars No Power, 2022, 4K video/audio 4:34 min, Ipad, speaker, cables. Installation view, No Meat Without Bones, Belmacz, London, 2022.
No Cars No Power, 2022, excerpt from a 4K video/audio 4:34 min, looped
On & Off (Tidal Follies), 2022, photographic emulsion, jesmonite, ø 34 cm. Installation view, No Meat Without Bones, Belmacz, London, 2022.
A Seat for a Young Boy, 2022, leatherette, recycled felt, aluminium pipe, steel buttons, 20 × 226 × 30 cm. Installation view, No Meat Without Bones, Belmacz, London, 2022.
A Seat for a Young Boy, 2022, leatherette, recycled felt, aluminium pipe, steel buttons, 20 × 226 × 30 cm. Installation view, No Meat Without Bones, Belmacz, London, 2022.
A Seat for a Young Boy: tête-à-tête, Performance Exchange, London, 2022.
A Seat for a Young Boy, 2022, leatherette, recycled felt, aluminium pipe, steel buttons, 20 × 226 × 30 cm. Installation view, No Meat Without Bones, Belmacz, London, 2022.
Mistakes Were Made, 2021, fabric, steel, vinyl, speakers, iphone, 240 × 120 × 300 cm, audio (en) duration: 44:42 min. Installation view, I dialogue, Kinch, Belmacz, London, 2021.
Mistakes Were Made, 2021, fabric, steel, vinyl, speakers, iphone, 240 × 120 × 300 cm, audio (en) duration: 44:42 min. Installation view, I dialogue, Kinch, Belmacz, London, 2021.
Mistakes Were Made, 2018/19, fabric, steel, vinyl, speakers, iphone, 380 × 215 × 240 cm, audio (en) duration: 15:00 min. Installation view, Mother Mercury, Art Night London, 2019.
Mistakes Were Made, 2018/19, fabric, steel, vinyl, speakers, iphone, 380 × 215 × 240 cm, audio (en) duration: 15:00 min. Installation view, Mother Mercury, Art Night London, 2019.
Mistakes Were Made, 2018/19, fabric, steel, vinyl, speakers, iphone, 380 × 215 × 240 cm, audio (en) duration: 15:00 min. Installation view, Mother Mercury, Art Night London, 2019.
Installation view, ∼ =, Impuls Bauhaus, Zeche Zollverein, Essen, 2019. Mistakes Were Made, 2018/19, fabric, steel, nylon fishing line, vinyl, speakers, cables, media player, 600 × 200 × 330 cm, audio (de) duration: 15:45 min.
Simon says, 2018, coated aluminium, dimensions variable.
Be Water My Friend, fabric, dimensions variable. Installation view at Kunsthalle Wilhelmshaven, 2018.
Where should we turn to in order to arrive where exactly?, 2018, poster, aluminium, 49 × 67 cm. Texts: Nina Franz, Rebekka Ladewig, Eva Wilson, Design: Studio Mathias Clottu.
Mistakes Were Made, 2018, light sensitive emulsion on paper, perspex, steel, 20 × 31 cm & 20 × 34 cm.
Installation view Modified Limited Hangout, cabinet at Kunsthalle Wilhelmshaven, 2018.
Mistakes Were Made, 2018, light sensitive emulsion on paper, perspex, steel, 20 × 31 cm & 20 × 34 cm.
Installation view Modified Limited Hangout, cabinet at Kunsthalle Wilhelmshaven, 2018.
Mistakes Were Made, 2018, light sensitive emulsion on paper, perspex, steel, 20 × 31 cm & 20 × 34 cm.
Installation view Modified Limited Hangout, cabinet at Kunsthalle Wilhelmshaven, 2018.
Mistakes Were Made, 2018, light sensitive emulsion on paper, perspex, steel, 20 × 31 cm.
Mistakes Were Made, 2018, light sensitive emulsion on paper, perspex, steel, 20 × 31 cm & 20 × 34 cm.
Installation view Modified Limited Hangout, cabinet at Kunsthalle Wilhelmshaven, 2018.
Mistakes Were Made, 2018, light sensitive emulsion on paper, perspex, steel, 20 × 31 cm & 20 × 34 cm.
Installation view Modified Limited Hangout, cabinet at Kunsthalle Wilhelmshaven, 2018.
Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017, light sensitive fabric, grey cotton and polyester fabric, steel rods, each 360 × 300 cm. Installation view, Place. Tłomackie 3/5, Jewish Historical Institute, Warsaw, 2017. Photography: Aleksandra Loska.
Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017, grey cotton and polyester fabric, steel rods, each 360 × 300 cm. Installation view, Place. Tłomackie 3/5, Jewish Historical Institute, Warsaw, 2017. Photography: Aleksandra Loska.
Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017. Photography: Aleksandra Loska.
Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017, light sensitive fabric, grey cotton and polyester fabric, steel rods, each 360 × 300 cm. Installation view, Place. Tłomackie 3/5, Jewish Historical Institute, Warsaw, 2017. Photography: Aleksandra Loska.
Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017, light sensitive fabric, steel rods, 360 × 300 cm. Installation view, Place. Tłomackie 3/5, Jewish Historical Institute, Warsaw, 2017. Photography: Aleksandra Loska.
Front: Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017. Back: Every City Has Its Echo, 2017, giclée print on aluminium, 100 × 130 cm. Installation view, Place. Tłomackie 3/5, Jewish Historical Institute, Warsaw, 2017. Photography: Aleksandra Loska.
Every City Has Its Echo, 2017, giclée print on aluminium, 100 × 130 cm. Installation view, Place. Tłomackie 3/5, Jewish Historical Institute, Warsaw, 2017. Photography: Aleksandra Loska.
Every City Has Its Echo, 2017, giclée print on aluminium, 100 × 130 cm.
Front: Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017. Back: 18 Minutes, 2017, aluminium, 200 × 125 × 0,5 cm. Installation view, Place. Tłomackie 3/5, Jewish Historical Institute, Warsaw, 2017. Photography: Aleksandra Loska.
18 Minutes, 2017, aluminium, 200 × 125 × 0,5 cm. Photography: Aleksandra Loska.
Installation view, Form Norm Folly, Krefelder Kunstverein, 2014.
Short stories by Anna Gritz, Gareth Bell-Jones, Jonathan P Watts and Carsten Tabel. Printed on the occasion of the exhibition Form Norm Folly, Krefelder Kunstverein, 2014. Edited by Agata Madejska, design by Mathias Clottu.
Entrance, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.
Wall I, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.
Image I, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.
Corridor, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.
Image II, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.
Corner, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.
Image III, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.
Space I, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.
Space II, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.
Wall II, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.
Installation view, Der Mensch und seine Objekte, Museum Folkwang, Essen, 2012.
Book launch Agata Madejska, published by Distanz, Berlin, 2013.
Book launch Agata Madejska, published by Distanz, Berlin, 2013.